Soundscape

Illustration credit: Beck Orten

Soundscape

An immersive journey through Asheville and beyond, charting the region's recovery through local sounds

This project is special to me because music and sound are something I have always gravitated toward. Soundscape allowed me to add an additional dimension to the written stories produced for Caught in the Current. All music is from the Blue Ridge region and all sounds were collected during our time in Western North Carolina. My hope is to help readers further immerse into these stories of Asheville and beyond.

#     Track 10 soundscapes
1

Blindsided by the storm

This piece is centered around preparing for a storm, so I used sounds that would depict weather turbulence. Flooding was the issue, so I added water sounds to create a water-flowing-through-a-storm-drain vibe. Lastly, I added an interesting anecdote from Corey Davis, a state climatologist.

2

Uprooted

I wanted to find a song that spoke in a metaphorical way. "Make Me a Bed," by Cisco Houston, has nothing and everything to do with a housing crisis. This song brings light-heartedness and also highlights the desperate need for change.

3

A fractured FEMA

I wanted to capture the feeling of people waiting for FEMA to help. One night while I was downtown, I heard local musician Jacob Therrien's mournful rendition of "A Change Gonna Come." It was packed with soul and emotion.

4

Lost and found

The journey begins on the open road with cars passing by, then transitions into "Swannanoa Tunnel" by Bascom Lamar Lunsford — a song full of Asheville references that expresses the warmth of home.

5

Faith following the flood

It was important that I capture both inside and outside a church. The bells that start the track were recorded in downtown Asheville. The song that fades in is "Holy Ground" by Frances Blalock Denton, chosen because of its bluegrass feel.

6

Connecting communities

I wanted a song that made people think about how they treat others. "Have I helped someone today?" by Frances Blalock Denton, speaks about humanity, self examination and what can be done for those who need us.

7

Going postal

I wanted to capture the bustling sounds of a post office. The many conversations heard here show that the post office is an extension of the community. Its loss is everybody's loss.

8

Non-profits' rapid response

This piece focuses on non-profit organizations that formed to help out during the storm. To highlight this through sound, I wanted to travel in three ways: on the ground, on the road and in the air.

9

When signals saved the day

This was a fun soundscape to design. I wanted something that mimicked flipping through a radio. I added music from Frances Blalock Denton and Elizabeth McCorvey in between static and a click, both recorded from an actual ham radio.

10

The smallest sufferers

I wanted to keep this sound as natural as possible. It felt wrong to distort or enhance captured sounds because nature has already been tampered with enough. I hope people listening feel they are taking a walk in nature.

A Special Note

Elizabeth McCorvey, an American bluegrass/folk musician from Western North Carolina, allowed us to use an original recording of "Eden" for our homepage video. Elizabeth captures the land around her in this music, allowing listeners to visualize the melody. "Eden," to me, speaks to the beauty of the land, the need for us to appreciate it and the action of coming together to rebuild it. Our team was able to witness all of these characteristics when we visited North Carolina, making this song the perfect choice for our magazine.